I engage in and collaborate on projects in music cognition and performance, combining artistic practice with experimental and data-driven approaches such as movement tracking, audio analysis, neuroscientific methods and perceptual evaluation. My academic training, including an MSc in Music, Mind and Brain, has shaped this approach, bridging practice-informed inquiry with interdisciplinary research methods. My academic interests include music performance anxiety, performance-related musculoskeletal disorders and other aspects of musical performing,